US - Television has never seen more gender variant characters...

US - Television has never seen more gender variant characters... 
[2008-04-25 Reuters (Hollywood Reporter)]


TV has never seen more transgender characters

Fri Apr 25, 2008

By P. Ryan Baber

LOS ANGELES (Hollywood Reporter) - Although long known to the gay 
community, breakout star Candis Cayne became a household name this 
year with her recurring role as the male-to-female transgender 
character Carmelita on ABC's "Dirty Sexy Money."

She also made history as the first transgender actress to play a 
transgender character in primetime, and she even shared an onscreen 
kiss with William Baldwin.

"It just never would have occurred to me to cast a person that wasn't 
transgender," says creator and executive producer Craig Wright. "The 
minute Candis walked through the door, there wasn't a single ounce of 
opposition."

This was a bold step for a network at a time when most LGBT (lesbian, 
gay, bisexual, transgender) ground is broken on cable. With two cable 
networks -- Here! and Logo -- providing dedicated gay content, and 
numerous other cable networks featuring LGBT characters in original 
miniseries, documentaries and dramas, the LGBT experience is being 
portrayed with more complexity than ever.

According to Neil Giuliano, president of the Gay & Lesbian Alliance 
Against Defamation, which is holding its 19th annual Media Awards on 
Saturday at Hollywood's Kodak Theatre (with additional ceremonies in 
New York, South Florida and San Francisco), "There are fewer gay 
characters on the broadcast networks than there have been in over a 
decade ... but the characters that do exist are more fully realized 
and authentic than characters we've seen in the past, so progress is 
being made."

While gay characters are enjoying fewer but meatier roles, transgender 
characters have never seen so much airtime. ABC has led the way, 
garnering 11 GLAAD nominations, three of which credit the depiction of 
transgender characters on "Dirty Sexy Money," "Ugly Betty" and "All My 
Children." However, even though Cayne has won enormous praise both for 
her performance and for what her inclusion means for the transgender 
community, the vast majority of transgender roles on television are 
still not played by transgender actors.

According to some producers, it is not studio opposition that makes it 
so difficult, but rather the challenge of casting roles from the 
relatively small talent pool of transgender actors. "We didn't know 
whether to go with a real transgender or whether to go with a woman," 
says "Ugly Betty" creator and executive producer Silvio Horta. "We saw 
some transgender actors, but it ended up being that the couple that we 
found just didn't have the chops."

So when the show revealed that editor Alex Meade had disappeared for 
two years to complete a transition from male to female, including full 
sexual reassignment surgery, creators turned to actress Rebecca Romijn 
to fill the high heels of the newly metamorphosed Alexis Meade.

Although gender identity is certainly a central facet of Alexis' 
character, her feud with her brother, her troubled past and her 
efforts to rebuild damaged relationships have taken centre stage. "The 
audience's response to the character is more about the character and 
less about the character being transgender," Horta emphasizes.

While the audience understands that shows like "Ugly Betty," with its 
playful melodrama and soap opera-style plot twists, are not to be 
taken too literally, portraying a transgender character is 
nevertheless a delicate operation. "The challenge is, while exploring 
the fun of it, also keeping it real -- knowing that this is something 
that people go through," Horta says.

ABC isn't the only network getting it right. Other GLAAD nominees 
touching upon the transgender experience include WE tv's documentary 
about transgender women in prison "Cruel and Unusual," MSNBC's special 
"Born in the Wrong Body: Girls Will Be Boys," a segment of CNN's 
"Paula Zahn Now," and episodes of "The Oprah Winfrey Show" and "The 
Tyra Banks Show."

Still, many producers believe that there is a great deal of progress 
left to be made. "Unfortunately, I don't think the industry itself has 
changed much," says Ilene Chaiken, the creator of Showtime's "The L 
Word." "I would like to see a procedural where, for instance, Dylan 
McDermott's character just happens to be gay."

In the world of crime dramas, LGBT characters are traditionally 
relegated to the role of victim or killer, but this still provides 
opportunity to showcase and develop them, if only for one episode. 
"(CBS') 'Cold Case' has been consistently representing gay and 
transgender characters since its inception," says executive producer 
Veena Sud. This year, the show was nominated for a GLAAD award for its 
"Boy Crazy" episode, which tells the story of the murder of a 
transgender woman in the 1950s.

Although it has been a banner year for transgender characters on 
television across the board, not all members of the LGBT community 
have received their share of the spotlight. As "The L Word" looks to 
wrap its sixth and final season, Chaiken worries that its departure 
will create something of a vacuum for lesbian characters. "I was 
hoping that by the time the show ended we would be able to pass the 
torch to another show," she says. "But sadly, if 'The L Word' went off 
the air right now, there would be no other major representations of 
lesbian characters on television."

Over its six seasons, "The L Word" has developed a diverse following. 
According to Chaiken, it appeals to women as a show that depicts their 
struggles and experiences regardless of sexual orientation. "And of 
course, I know of a lot of straight guys who got hooked on the show 
while watching it with their girlfriends," she adds.

It is just this kind of crossover appeal that gay networks like Here! 
and Logo hope to achieve. According to Here!, the LGBT market in 
America represents 15 million loyal customers and an estimated $610 
billion in buying power.

"The market is as diverse as any mainstream market," says Paul 
Colichman, founder and CEO of Here! Networks. "The LGBT community is 
made of people from all races, ages and socioeconomic backgrounds, so 
it is truly a melting pot."

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Reuters/Hollywood Reporter

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